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I really loved the movie Jules and Jim. I really enjoyed watching Jeanne Moreau in this movie. I also think Oskar Werner was great!

I think Jeanne Moreau and Oskar Werner worked wonderful in Jules and Jim. The great supporting cast includes Jeanne Moreau, Oskar Werner, Henri Serre, Vanna Urbino, Boris Bassiak.

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Summary of Jules and Jim:
Franois Truffaut's third feature, though it's named for the two best friends who become virtually inseparable in pre-World War I Paris, is centered on Jeanne Moreau's Catherine, the most mysterious, enigmatic woman in his career-long gallery of rich female portraits. Adapted from the novel by Henri-Pierre Roch, Truffaut's picture explores the 30-year friendship between Austrian biologist Jules (Oskar Werner) and Parisian writer Jim (Henri Serre) and the love triangle formed when the alluring Catherine makes the duo a trio. Spontaneous and lively, a woman of intense but dynamic emotions, she becomes the axle on which their friendship turns as Jules woos her and they marry, only to find that no one man can hold her. Directed in bursts of concentrated scenes interspersed with montage sequences and pulled together by the commentary of an omniscient narrator, Truffaut layers his tragic drama with a wealth of detail. He draws on his bag of New Wave tricks for the carefree days of youth--zooms, flash cuts, freeze frames--that disappear as the marriage disintegrates during the gloom of the postwar years. Werner is excellent as Jules, a vibrant young man whose slow, melancholy slide into emotional compromise is charted in his increasingly sad eyes and resigned face, while Serre plays Jim as more of an enigma, guarded and introspective. But both are eclipsed in the glare of Moreau's radiant Catherine: impulsive, demanding, sensual, passionate, destructive, and ultimately unknowable. A masterpiece of the French New Wave and one of Truffaut's most confident and accomplished films. --Sean Axmaker

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Terminator 3: Rise of the Machines/Hard to Kill A unique, one-of-a-kind movie! Both Arnold Schwarzenegger and Nick Stahl has earned overwhelmingly positive reviews and is considered by many to be one of the best films of the year! Maybe thats what makes the movie so good.The great cast includes Arnold Schwarzenegger, Nick Stahl, Claire Danes, Kristanna Loken, David Andrews. The movie moves on like a dream and end leaving you wanting for more.

If you love watching Arnold Schwarzenegger or Nick Stahl, you are deffinetly going to want to watch Terminator 3: Rise of the Machines/Hard to Kill.

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With a reported budget of $172 million, Terminator 3: Rise of the Machines starts in high gear and never slows down. The apocalyptic "Judgment Day" of T2 was never prevented, only postponed: John Connor (Nick Stahl, replacing T2's Edward Furlong), now 22 and disconnected from society, is being pursued yet again, this time by the advanced T-X, a sleek "Terminatrix" (coldly expressionless Kristanna Loken) programmed to stop Connor from becoming the savior of humankind. Originally programmed as an assassin, a disadvantaged T-101 cyborg (Arnold Schwarzenegger, bidding fond farewell to his signature role) arrives from the future to join Connor and his old acquaintance Kate (Claire Danes) in thwarting the T-X's relentless pursuit. The plot presents a logical fulfillment of T2 prophesy, disposing of Connor's mother (Linda Hamilton is sorely missed) while computer-driven machines assume control, launching a nuclear nightmare that Connor must survive. With Breakdown and U-571 serving as worthy rehearsals for this cautionary epic of mass destruction, director Jonathan Mostow wisely avoids any stylistic connection to James Cameron's Terminator classics; instead he's crafted a fun, exciting popcorn thriller, humorous and yet still effectively nihilistic, and comparable to Jurassic Park III in returning the Terminator franchise to its potent B-movie roots. --Jeff Shannon

After making his action-hero debut in 1988's Above the Law, Steven Seagal followed up with this typically formulaic action thriller, in which the ponytailed crime fighter is shot full of bullets and left for dead after he uncovers a powerful circle of corrupt politicians. After seven years in a coma, he returns to consciousness and is nursed back to health by--surprise, surprise!--a gorgeous woman, played by Seagal's then wife Kelly ("don't hate me because I'm beautiful") LeBrock. Once in peak condition, snarlin' Steve sets out to satisfy his hearty appetite for revenge, and the bone-crunching action kicks into high gear with the requisite chases, hand-to-hand combat, and escalating body count. This is one of Seagal's best vehicles, establishing the star's screen persona before it grew stale in later films. --Jeff Shannon

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Fat City- has always been a favorite of mine.Through out the movie, Stacy Keach simply shines. Jeff Bridges actually caught my interest too.

I think Stacy Keach and Jeff Bridges worked wonderful in Fat City. The great supporting cast includes Stacy Keach, Jeff Bridges, Susan Tyrrell, Candy Clark, Nicholas Colasanto.

If you are a true like Fat City, you will want to add this movie to your collection.

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Summary of Fat City:
Jeff Bridges stars as an amateur boxer on a brief rise who catches the eye of an aging pugilist (Stacy Keach) heading downward in this 1972 film by John Huston and based on the novel by Leonard Gardner. Keach becomes the younger man's mentor, and the two hit central California's tanktown circuit of small matches for small money, interspersed with visits to smoke-filled bars and hellish gyms. Theirs is a cut-rate dream, all right, but as real and driving--and finally just as punishing--as the mythical black bird itself in Huston's The Maltese Falcon. The cast is outstanding, the cinematography by Conrad Hall stunning, and the climax one of Huston's most painfully memorable. The story is filled out by surrounding detail that never leaves the memory: boxers and trainers who whisper of injuries that could put them out of business for good; a lone fighter who takes a bus into town, bides time in a crummy motel room, takes a beating in the ring, then leaves on the next bus with a few dollars in his pocket. This film helped re-establish Huston's reputation as a major filmmaker. It was followed by the likes of The Man Who Would Be King. --Tom Keogh

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